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  1. #1
    تاريخ التسجيل
    May 2009
    الإقامة
    USA
    المشاركات
    0

    إفتراضي Muhammad Selim - Dawr Yamanta Wahishni & Mawal Mar El Ghazal (Odeon)

    Muhammad Selim
    Dawr Yamanta Wahishni & Mawal Mar El Ghazal El Farid
    Odeon. Matrix# 1134a/b/c & 1135. Order# 45065/1/2/3 & 45068
    Recorded 1905
    Talheen: Muhammad Osman
    maqam hijaz kar

    his madhhab is surprisingly different than all other renditions of this dawr. a real treat.

    there's a scratch of sorts at the very beginning, but it recedes after 15 seconds and the quality from there is consistent.
    الصور المرفقة الصور المرفقة
    الملفات المرفقة الملفات المرفقة

  2. #2
    تاريخ التسجيل
    Sep 2005
    الإقامة
    البلاد المنخفضة.....Netherlands
    المشاركات
    9

    إفتراضي

    !!! Different Indeed

  3. #3
    تاريخ التسجيل
    Sep 2005
    الإقامة
    Vienna, Austria
    المشاركات
    25

    إفتراضي

    Thanks Alfleila. Sorry, but I will not be able to do anything on the forum for a while. At least a few weeks.
    أبو علاء

  4. #4
    تاريخ التسجيل
    Sep 2005
    الإقامة
    Vienna, Austria
    المشاركات
    25

    إفتراضي

    إقتباس المشاركة الأصلية بواسطة أبو علاء مشاهدة مشاركة
    Thanks Alfleila. Sorry, but I will not be able to do anything on the forum for a while. At least a few weeks.
    Here I am back, and what a treat! I am all the more surprised and pleased that I could hardly expect any novelty from this umpteenth performance of yamanta wahishni. Yet, Silim has proven if anything that inspiration and creativity in classical Arabic music genres are absolutely limitless. There are so many spots in his performance that are unique and unprecedented starting from the way he sings yamanta in the beginning of the madhhab. I cannot elaborate and list those spots in detail, but I strongly advise those interested who seem to have deserted the forum during my absence or, at least, are no longer paying attention to what is posted, let alone commenting on it, to listen to the dawr and see whether I am exaggerating here.
    I know that however fond of Silim's voice, Frederic still places him at a lower level than the big names. On my part, I think he is as much important as 'asma Al-kumsariyah and Sulayman 'abu Dawud.

    آخر تعديل بواسطة أبو علاء ، 21-08-2021 الساعة 13:58
    أبو علاء

  5. #5
    تاريخ التسجيل
    Sep 2005
    الإقامة
    Vienna, Austria
    المشاركات
    25

    إفتراضي

    As for the mawwal, unlike the dawr, while it fulfills the requirements of the genre, I don't have much to say about it apart from the remarkable fact that a "monomodal" piece in the sense that Silim doesn't leave the hijazkar mode for a single second.
    أبو علاء

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