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  1. الردود
    5
    الزيارات
    2,411

    here's a somewhat cleaner copy

    here's a somewhat cleaner copy
  2. الردود
    3
    الزيارات
    111

    sure thing, here's the raw safti file. i posted...

    sure thing, here's the raw safti file.
    i posted the hilmi raw file in its original thread
  3. الردود
    6
    الزيارات
    219

    raw file attached per ab 'ala's request

    raw file attached per ab 'ala's request
  4. الردود
    3
    الزيارات
    111

    Sayyed El Safti / Dawr: Hawa Habibi Wafiqni هوى حبيبي وافقني (Baida)

    Sayyed El Safti
    Dawr: Hawa Habibi Wa Fini
    Baida 1300/01/02/03
    Talheen: Dawud Hosni
    maqam hijaz

    gramophone version can be found here
  5. الردود
    6
    الزيارات
    219

    seamless! the ajnas of bayati and sigah go hand...

    seamless! the ajnas of bayati and sigah go hand in hand. since jins sigah exist naturally within jins bayati (they share 3 of the same pitches). but if there were ever a way to properly go in and out...
  6. الردود
    6
    الزيارات
    219

    Abdel Hay Hilmi / Qasida: Shakawtu Faqalat شكوت فقالت (Gramophone)

    Abdel Hay Hilmi
    Qasida: Shakawtu Faqalat
    Gramophone. Matrix# 148/9. Issue# 012574/5
    1910
    maqam bayati

    brief layali, ah ya ana, followed by the qasida.. this is a sublime interpretation by...
  7. الموضوع: Eliya Baida - Sarf Eddahr & Ya Rayha

    الكاتب : AlfLeila
    الردود
    0
    الزيارات
    65

    Eliya Baida - Sarf Eddahr & Ya Rayha

    Eliya Baida
    Mawal Sarf Eddahr & Ya Rayha (ataba + meijana)
    Baida 1415A/B
  8. الموضوع: Zaki Murad - ‘ashki limin dhulli-l-hawa

    الكاتب : AlfLeila
    الردود
    8
    الزيارات
    3,295

    i can finally listen to and enjoy this dawr by...

    i can finally listen to and enjoy this dawr by zaki effendi. thanks!
  9. الردود
    2
    الزيارات
    167

    i guess it's a possibility. the 2nd side of the...

    i guess it's a possibility. the 2nd side of the raw record begins in a strange way, abu dawoud is called out, he responds hader then there's dead space in between that and the start of the takht....
  10. الردود
    2
    الزيارات
    167

    Suleiman Abu Dawud / Dawr: Fuadi Asalak Oulli فؤادي اسالك قوللي (Odeon)

    Suleiman Abu Dawud
    Dawr: Fuadi Asalak Oulli
    Odeon. Matrix EX 1229-a/b. Order# 45208/1/2
    Talheen: Abdu El Hamuli
    circa 1905
    maqam awj

    there's a gash in the groove at the beginning of the...
  11. you're asking me?? :p

    you're asking me?? :p
  12. الردود
    5
    الزيارات
    277

    i couldnt agree more. there were only a handful...

    i couldnt agree more. there were only a handful of recording pioneers from beirut at the time (though very notable). if not for them we wouldnt have any grasp of how music existed in their era.
  13. Zaki Mourad / Taqtuqah: Hatili yamma 'asfuri هاتي لي يا امّه عصفوري (Gramphone. Different Version)

    Zaki Mourad
    Taqtuqah: Hatili yamma 'asfuri
    Gramophone matrix# 4828/29. Issue# 7-212004/05
    1915
    talheen: Dawud Hosni
    maqam nawa (jins bayati on d'-duqah + jins rast on g'-nawa)

    this is the...
  14. الردود
    2
    الزيارات
    217

    that is truly the question. he drops the madhab...

    that is truly the question. he drops the madhab completely, so if its original form would have been a qad, did he make this a dawr by simply dropping the chorus?? at least Ahmad Idris revisits the...
  15. الردود
    2
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    217

    Abdel Hay Hilmi / Qad: Ya Mas'ad El Subheya & Mawal Ya Dayeq El Num (Baidaphon)

    Abdel Hay Hilmi
    Qad: Ya Mas'ad El Subheya
    Mawal: Mawal Ya Dayeq El Num
    Baidaphon 1904, 1941
    1908

    there's a crack about an inch deep which accounts for a brief audio distortion over the...
  16. الردود
    5
    الزيارات
    277

    youre right, i wouldnt compare his vocal ability...

    youre right, i wouldnt compare his vocal ability with farajallah, but rather the style and techinque. and speaking of baghdadi style, i've noticed a lot of baghdadi type mawaweel across the early...
  17. الردود
    5
    الزيارات
    277

    the evolution of singing style in beirut is...

    the evolution of singing style in beirut is something to be looked in to. stark changes from the days of farajallah baida to the later generations.. this singer sounds like he is caught in the...
  18. this is a remarkable amount of tarab condensed in...

    this is a remarkable amount of tarab condensed in just 5 and half minutes. a gift indeed!
    thank you for the mention.

    i checked fred's adwar list, interesting that the composer for this dawr...
  19. Abdel Hay Hilmi / Dawr: قدُّه الميَّاس زوّد وجدي Qaddo ll-Mayyas (Baidaphon)

    Abdel Hay Hilmi
    Dawr: Qaddo ll-Mayyas
    Baidaphon 19110/11
    Talheen: Mhammad Osman
    maqam bayati

    Odeon version can be found here
  20. الردود
    2
    الزيارات
    351

    Interestingly enough I have a few records that...

    Interestingly enough I have a few records that are only taqsim and the like, and the odeon or baida labels read 'Bashraf'. probably a marketing anomaly. we see here as well the side with taqsim saba...
  21. الردود
    2
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    260

    Abdel Hay Hilmi / Dawr: Qaddak 'amiri-l-'aghsan (Zonophone) قدّك أمير الأغصان

    Abdel Hay Hilmi
    Dawr: Qaddak 'amiri-l-'aghsan
    Zonophone. Matrix 7820b, 7820 1/2 b. Issue# X-102502/03.
    1906

    Talheen: Mhammad Osman
    Ibrahim Sahloun on kaman & Mhammad Effendi Ibrahim on qanun. ...
  22. الردود
    2
    الزيارات
    351

    Takht Odeon / Bashraf Qaddi-r-rasd قد الرصد (?) & Taqsim Mushtarak in Saba

    Takht Odeon
    Bashraf Qadukal Saad (?) (maqam mahur) + Taqsim mushtarak in maqam Saba
    Odeon matrix EX946 / 987. order# 31011 / 31054
    1904

    Hag Sayyed El Souweisi on Oud, Abdel Aziz El Qabbani on...
  23. الردود
    3
    الزيارات
    267

    much!

    much!
  24. الردود
    3
    الزيارات
    267

    Saniya Hassanein / Dawr: Elli Daq Zul El Gharam (Columbia)

    Saniya Hassanein
    Dawr: Elli Daq Zul El Gharam
    Columbia matrix WQ 145/46
    Talheen: Dawud Hosni
    maqam huzam
  25. since most of the concentration is on the upper...

    since most of the concentration is on the upper jins rast on nawa, it would be called mahur or kardan
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