البحث:

Abdel Hay Hilmi
Dawr: Ye7awel 3azuli
Gramophone (12"). Matrix 23p/24p. Issue# 012348/9
Recorded 1907
Talheen: Abdo El Hamuli
maqam nawa-athar

here's a better copy. also the full track with the instrumental intro.

here's a somewhat cleaner copy

Abdel Hay Hilmi
Dawr: Ala Ruhi Ana El Gani
Mawal: Mubibukum Dab
Odeon matrix EX1983a/b/c & EX1894. Order#45648/1/2/3 & 45661
recorded 1908
Talheen (dawr): Muhammad Osman

the records are...

here's pics of all 3 sides. i imagine the labels were blank and the owner wrote in the information himself. the matrix#s are engraved and all end with "ah". i couldnt find these number in the alan...

Ali Abdel Bari
Dawr: Yis'id Layalik Ya Qamar
Gramophone matrix# 3129/30/31
Recorded 1913
Talheen: Dawud Hosni
maqam awj

pressed on 3 one sided 27cm discs. labels are handwritten (and...

Zaki Murad
Dawr: Haramti Ashaq Ba'ad El Yom
Baidaphon B 083310/1/2/3
Talheen: Dawud Hosni
maqam hijaz kar

very interesting. i havent heard the other versions of this dawr



sure here you go

Abdel Hay Hilmi
Dawr: Kan Mali Bhobak
Baidaphon 1973/74
Talheen: Abdo El Hamuli
maqam dalansheen + kardan (replace jins saba on husseini (dalansheen) with bayati on husseini (kardan))

Muhammad Selim
Dawr: Biftikarak Eih Yefidak
Baidaphon 36000/01
Talheen: Dawud Hosni

this is 2 sides of the dawr, and there is certainly more to the dawr, but the question is if he recorded it...

here's a somewhat cleaner copy

sure thing, here's the raw safti file.
i posted the hilmi raw file in its original thread

raw file attached per ab 'ala's request

Sayyed El Safti
Dawr: Hawa Habibi Wa Fini
Baida 1300/01/02/03
Talheen: Dawud Hosni
maqam hijaz

gramophone version can be found here

seamless! the ajnas of bayati and sigah go hand in hand. since jins sigah exist naturally within jins bayati (they share 3 of the same pitches). but if there were ever a way to properly go in and out...

Abdel Hay Hilmi
Qasida: Shakawtu Faqalat
Gramophone. Matrix# 148/9. Issue# 012574/5
1910
maqam bayati

brief layali, ah ya ana, followed by the qasida.. this is a sublime interpretation by...

Eliya Baida
Mawal Sarf Eddahr & Ya Rayha (ataba + meijana)
Baida 1415A/B

i can finally listen to and enjoy this dawr by zaki effendi. thanks!

i guess it's a possibility. the 2nd side of the raw record begins in a strange way, abu dawoud is called out, he responds hader then there's dead space in between that and the start of the takht....

Suleiman Abu Dawud
Dawr: Fuadi Asalak Oulli
Odeon. Matrix EX 1229-a/b. Order# 45208/1/2
Talheen: Abdu El Hamuli
circa 1905
maqam awj

there's a gash in the groove at the beginning of the...

you're asking me?? :p

i couldnt agree more. there were only a handful of recording pioneers from beirut at the time (though very notable). if not for them we wouldnt have any grasp of how music existed in their era.

Zaki Mourad
Taqtuqah: Hatili yamma 'asfuri
Gramophone matrix# 4828/29. Issue# 7-212004/05
1915
talheen: Dawud Hosni
maqam nawa (jins bayati on d'-duqah + jins rast on g'-nawa)

this is the...

that is truly the question. he drops the madhab completely, so if its original form would have been a qad, did he make this a dawr by simply dropping the chorus?? at least Ahmad Idris revisits the...

Abdel Hay Hilmi
Qad: Ya Mas'ad El Subheya
Mawal: Mawal Ya Dayeq El Num
Baidaphon 1904, 1941
1908

there's a crack about an inch deep which accounts for a brief audio distortion over the...