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Type: Posts; عضو: fredlag@noos.fr

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  1. الموضوع: fil bo'adi yama

    الكاتب : fredlag@noos.fr
    الردود
    58
    الزيارات
    18,772

    This is a new filtering of this record, much more...

    This is a new filtering of this record, much more satisfactory, slightly slowed down + addition of the 4th side, mawwāl Qūm fe dugā l-lēl in huzām version, different from the Gramophone rast...
  2. Sayyid al-Ṣaftī-Ghoḍḍī gefūnik-Lā teḥseb enn el-ba‘ād (Baidaphon) / سيد الصفتي-غضي جفونك-لا تحسب

    الشيخ سيد الصفتي
    موشح/ غضي جفونك
    موال/ لا تحسب إن البعاد يفرقنا إذا طول
    مقام صبا

    Shaykh Sayyid al-Ṣaftī
    muwashshaḥ / Ghoḍḍī gefūnik (maqām ṣabā, cycle awfar)
    mawwāl a‘rag / Lā teḥseb enn...
  3. Just a quick addition : - coming back to...

    Just a quick addition :
    - coming back to Sulaymān Abū Dāwūd's rendition, I realize we failed to note on the SAD thread that his rendition is not only ṣabā but also offers dōr 1 and dōr 2 of the...
  4. Also known as badadadanology

    Also known as badadadanology
  5. ‘Abd al-Ḥayy Ḥilmī-Lā yā ‘ēn (Baidaphon) / عبد الحي حلمي-لا يا عين

    عبد الحي افندي حلمي
    دور / لا يا عين
    لحن عبده الحامولي

    ‘Abd al-Ḥayy eff. Ḥilmī
    dōr / Lā yā ‘ēn
    maqām bayyātī
    comp. ‘Abdūh al-Ḥāmūlī

    The famous piece sung by Ḥāmūlī to deplore the demise of...
  6. Sami al-Shawa's work in this electric recording...

    Sami al-Shawa's work in this electric recording is fantastic. I like the repeat of wa-‘ish khāliyan at the end. Very little shurī, only for a concluding second.
    This sounds very close to Polyphon's...
  7. الردود
    2
    الزيارات
    113

    Puzzling how Muḥammad Anwar can be so nice in...

    Puzzling how Muḥammad Anwar can be so nice in ṭaqāṭīq and so unconvincing in dōr. The piece itself isn't bad, there are many nice sentences in it, all the kān zamān variations could be great, but...
  8. What still needs to be studied in the qasida ‘alā...

    What still needs to be studied in the qasida ‘alā l-waḥda are the details of "qismat al-kalām" on the cycle, taf‘ila by taf‘ila. I am wondering to which extent singers (unconsciously) follow a same...
  9. ‘Alī ‘Abd al-Bārī-Yā haltarā tīh dalālak (Odeon) / علي عبد الباري-يا هلترى تيه دلالك

    علي افندي عبد الباري
    دور/ يا هلترى تيه دلالك
    مقام راست
    لحن منسوب إلى عبد الرحيم المسلوب
    مجهول الناظم


    ‘Alī eff. ‘Abd al-Bārī
    dōr / Yā haltarā tīh dalālak
    maqām rāst
  10. الردود
    13
    الزيارات
    547

    I don't think we disagree on this. What I meant...

    I don't think we disagree on this. What I meant is that a dor higazkar can go on for ten minutes, and could go on for the double of this, and never hint at bayyati, rast or sikah or saba, and still...
  11. الردود
    13
    الزيارات
    547

    This piece is an interesting example of the...

    This piece is an interesting example of the ability to produce ṭarab without even using "neutral intervals" (3/4 tone), for the only use of gins bayyāti in this recording is in the layālī in a...
  12. الردود
    13
    الزيارات
    547

    This is what I manage to do with el-ward fel-rod...

    This is what I manage to do with el-ward fel-rod (which is a fantastic piece, by all criteria)
    I don't know where to begin with the thousand wonders of this rendition, and ana mutayyam indeed
  13. الردود
    5
    الزيارات
    3,157

    New filtered version, gives a very satisfactory...

    New filtered version, gives a very satisfactory result.
  14. الردود
    2
    الزيارات
    269

    Dear Abu Bassum, This is not another muwashshah,...

    Dear Abu Bassum,
    This is not another muwashshah, this is the full version of Layālī l-waṣl. A muwashshaḥ is supposedly
    badaniyya (= dōr)
    khāna (= silsila)
    qafla (= ghiṭā')
    but most of the time,...
  15. الردود
    2
    الزيارات
    269

    Ṣaftī-Layālī l-waṣl (Favorite) / سيد الصفتي-ليالي الوصل

    Shaykh Sayyid al-Ṣaftī
    muwashshaḥ / Layālī l-waṣl ‘indī ‘īd (maqām ḥigāz / cycle murabba3)
    Favorite 55519


    الشيخ سيد الصفتي
    موشح ليالي الوصل عندي عيد
    مقام حجاز، أصول مربع، شعر ولحن قديم
  16. And this is a new filtering from the raw version,...

    And this is a new filtering from the raw version, slowed down.
  17. My copy of this recording.

    My copy of this recording.
  18. الردود
    3
    الزيارات
    3,108

    This is a better quality recording of Dialogue...

    This is a better quality recording of Dialogue al-Bustagī, which is indeed with Na‘īma al-Maṣreyya, not Ratība Aḥmad (huge difference in voice quality). it is a Columbia record, not Polyphon.
  19. الردود
    2
    الزيارات
    101

    Ḥilmī-Layālī sīkāh (Zonophone) / عبد الحي حلمي-ليالي سيكاه

    ‘Abd al-Ḥayy eff. Ḥilmī
    layālī sīkāh
    Zonophone 102501
    (the other side is a taqsīm by Ibrāhīm Sahlūn)


    هذه الليالي السيكاه التي يعرج عبد الحي افندي على الهزام والعراق تبدو لي إعجازية
    وهي خير...
  20. Ṣaftī-Tadhallal li-man tahwā-Fa-yā muhgatī dhūbī / سيد الصفتي-تذلل لمن تهوى-فيا مهجتي ذوبي

    الشيخ سيد الصفتي
    قصيدة/ تذلل لمن تهوى
    قصيدة/ فيا مهجتي ذوبي جوى
    مقام بياتي

    Shaykh Sayyid al-Ṣaftī
    qaṣīda / tadhallal li-man tahwā (Ibn al-Fāriḍ)
    qaṣīda / fa-yā muhgatī dhūbī gawan (Ibn...
  21. Ṣaftī-Qātilī bi-ghang al-kaḥali-Tadhallal li-man tahwā (Baidaphon) / سيد الصفتي - قاتلي بغنج الكحل- تذلل لمن تهوى

    الشيخ سيد الصفتي
    موشح / قاتلي بغنج الكَحَل
    قصيدة موقعة / تذلل لمن تهوى
    مقام بياتي
    اسطوانة بيضافون وجهان

    Shaykh Sayyid al-Ṣaftīimuwashshaḥ / Qātilī bi-ghang al-kaḥali
    qaṣīda muwaqqa‘a /...
  22. Ḥilmī-Yā ḥādiya l-‘īs-mānī yā yumma mānī (Baidaphon) / عبد الحي حلمي-يا حادي العيس-ماني يا يمه

    عبد الحي افندي حلمي
    موال / يا حادي العيس ، مقام راست
    طقطوقة / ماني يا يمه ماني، مقام صبا
    بيضافون

    سبق لنا أن استمعنا إلى هذا الموال من نفس المقام، في صيغته المسجلة عند شركة جراموفون
    هذا تسجيل...
  23. الردود
    13
    الزيارات
    547

    This is the best I could do, but at least it is...

    This is the best I could do, but at least it is hearable. Alf leila, it would be easier if you send a completely raw file without any cutting and editing, so that there are long periods of surface...
  24. الردود
    13
    الزيارات
    547

    We have a copy of this dor by Abd al-Hayy Hilmi...

    We have a copy of this dor by Abd al-Hayy Hilmi here
    It will be interesting to compare.
  25. @Ovide Hi Fadi. I think this is totally...

    @Ovide
    Hi Fadi. I think this is totally different. This is indeed the scale of higaz, so if we consider it is a higaz dokah we have higaz on dokah, and bayyati on husayni. So if you play a bayyati...
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